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FLATCAST ANILARDA KALACAK TEMALARIMIZ

Afra “Yasemen” — https://www.youtube.com/watch?v=V-zTp0Dew-I&ab_channel=S.G Afra, Wayb ile birlikte “Yener” isimli yayını ile TikTok platformunda viral olup büyük bir dinleyici kitlesine ulaştı. Ardından “Kafam Leyla” ile listelere hızlı bir giriş yapan Afra, “Yasemen” şarkısının küçük bir kesitini yayınlayıp Tiktok platformunda viral oldu. Yasemen, Fars ve Hint mitolojisinde yer alan, yasemin çiçeğinde ruhunun ölümsüzlüğünü taşıyan bir prensesin aşk hikayesinden esinlenilerek yaratılmış yeni nesil bir trap şarkısı. Söz ve müziği Afra’ya ait şarkının aranje koltuğunda Esad Fidan yer almakta.

E-tropolis line-up complete — The line-up for the industrial, EBM and synthpop festival E-tropolis in Turbinenhalle in Oberhausen, Ruhr, on March 28 is complete. For the most part, though, people just happening to pass by the two-block campus during Public Practice sessions are at the best advantage to enjoy the notes in the air, mixing with the environment. “We organize it so that several musicians are playing concurrently, in different areas of the campus,” explains Ming Ng, director of Active Arts. “So, there is a ‘soundscape’ that is created as you walk from one musician to another.” Like exhibits in a museum, the participating musicians are set up with signs next to them, explaining who they are and what they are doing. Once in a while, people will stop to listen or to ask the musicians a quick question, but some don’t quite know what to make of the situation. “One man tried to drop a dollar into my saxophone case,” Oto recalls with a laugh. https://www.youtube.com/watch?v=FBAIXeXkQoA Since Public Practice is such a unique experience, it’s no wonder that the participants tend to create lasting bonds. The relationships begin outdoors on the Music Center campus, when one musician might stroll up to another to sight-read through some duos. At the end of the project everyone takes part in a group dinner and discussion, and the relationships often extend far beyond that day. The participants have found many benefits to “taking it outside,” but the best part, as both Price and Oto explain, is simply the opportunity to try something new with their music.

The Subways Tour Diary: Days 6-10 the adventure continues — The Subways were kind enough to chronicle their North American tour for us, and we’ll be running their tour diary in several installments this week. Billy Lunn will be our guide, and as he writes, “Because so much usually ends up happening on our tours, we thought that this time round, whilst we’re on our exciting US/Canada tour, I’d keep a diary of all our happenings.
As well as being a nice little insight for you guys into our daily lives, it’s also a nice way for me to recap and relive the days as they happen!
Check out entries for Days 6-10 below. Early start today for a Converse live session, but it was a great excuse to get in a cab and see the sights of beautiful Boston. The wealth of redbrick buildings reminded us of the redbrick of Manchester in our own U.K., which adds a natural autumnal look to the city, and this wonderful quality was compounded by the blue skies and soft, orange sunlight! On our way we passed Harvard Business School on our right, and I wanted to take a detour over the bridge to Harvard Square in Cambridge so I could get a nice feel of what it’s like there. All of a sudden I felt pangs of wanting to study a postgraduate at a Boston uni after I finish my BA at Cambridge—assuming I graduate, of course! Haha! We didn’t take the detour; we like to be punctual!

Sounds of Superior Productivity — We are the music makers, and we are the dreamers of dreams.
[qtgallery id="458"] What is that secret age-old productivity tool? Music. Yep. The right music can help you stay focused and more productive. Here’s how: Music Helps Boost Productivity on Repetitive Tasks Research has shown that when presented with repetitive tasks, music can help make those tasks more enjoyable and boost productivity. In this study, for instance, assembly line workers reported feeling happier and experiencing higher efficiency while listening to music. Studies suggest that this is because music helps boost mood and therefore contributes to productivity. One study from Canadian researchers looked at this concept. What they found was that time-on-task was shorter — which means they got the work done quicker — and the quality of work performed was better when music was playing. Not only did those listening to music complete tasks faster, but they also came up with better, more creative ideas when the music was on. This concept of mood can be further explained. Listening to music at your desk can help drown out other distracting noises like chatting coworkers, the buzz of the copy machine, and the clicks of other people typing around you. Placing earbuds in your ears to drown all that noise out — or even having music play over the office’s speakers — creates a more consistent and enjoyable environment that makes you feel more comfortable and relaxed in the space. The New York Times further suggests that melodic tunes promote the release of dopamine, a feel-good chemical in the brain, which also contributes to that good mood and promotes a more productive working environment. All of this suggests that music may be a valuable tool in boosting efficiency when performing mundane tasks, such as data entry or answering emails. Some suggest that when trying to focus on a complex task, music can be distracting – just as a noisy office may distract workers. But that doesn’t mean all music is bad for creative tasks. It’s just that the same type of music may not be appropriate in both situations. In fact, studies show that moderate levels of ambient noise can boost creativity, so you have to be conscious of what type of music is playing, and select it based on the task at hand.

Ferdi Tayfur Spotify’da Zirvede — Ferdi Tayfur’un Spotify’da günlük en çok dinlenen şarkıları

“İçim Yanar”: Zirvesinde

“Sabahçı Kahvesi”: 10. sırada

“Hatıram Yeter”: 12. sırasında

“Huzurum Kalmadı”: 25. sırada

Ferdi Tayfur: Türk Arabesk Müziğinin Ustası
Ferdi Tayfur, Türk müzik dünyasının unutulmaz isimlerinden biridir. 15 Kasım 1945’te Adana’nın Hürriyet Mahallesi’nde dünyaya gelen sanatçı, hem müzik kariyeri hem de sinema hayatıyla geniş bir hayran kitlesine ulaşmıştır. Gerçek adı Ferdi Tayfur Turanbayburt olan sanatçı, Türkiye'de arabesk müziğin en önde gelen temsilcilerinden biri olarak kabul edilir.
Müzik Kariyeri
Ferdi Tayfur, zorluklarla dolu bir çocukluk dönemi geçirdikten sonra genç yaşlarda müzikle ilgilenmeye başladı. İlk büyük çıkışını 1970’lerde yaptı ve kısa sürede milyonların sevgisini kazandı. “Bana Gerçekleri Söyle,” “Çeşme,” “Emmoğlu,” ve “Ben de Özledim” gibi şarkılarıyla adını ölümsüzleştirdi. Tayfur, eserlerinde genellikle aşk, özlem ve hayal kırıklığı gibi temaları işleyerek, dinleyenlerin duygularına dokunmayı başardı. Birçok albümü altın plak ödülleri kazanmış olan Tayfur, toplamda 30’dan fazla albüm çıkardı. Arabesk müziğin duygusal yönünü en iyi yansıtan sanatçılardan biri olarak, dönemin müzik anlayışını derinden etkiledi.
Sinema Kariyeri
Ferdi Tayfur sadece müzikte değil, sinema alanında da büyük başarılara imza attı. 1970’lerden itibaren birçok filmde başrol oynadı ve bu filmlerin çoğunda kendi şarkılarını seslendirdi. "Çeşme" (1977) ve "Yağmur" (1987) gibi filmleri, hem sinema hem de müzik dünyasında kült eserler arasında yer aldı.
Etkisi ve Mirası
Ferdi Tayfur, arabesk müziğin babası olarak anılır ve hala geniş bir hayran kitlesine sahiptir. Sanatıyla, Türkiye'nin çeşitli sosyal katmanlarından insanlara hitap etmeyi başardı. Günümüzde bile şarkıları ve filmleri, yeni nesiller tarafından keşfedilmeye devam ediyor. Son yıllarında müzikten uzaklaşsa da yazarlık yaparak ve anılarını paylaşarak hayranlarıyla iletişimde kalmıştır. 2000’li yılların başında "Bir Zamanlar Ağaçtık" isimli kitabını yayımlamış ve hayranlarına sanatçı yönünün ötesinde bir pencere sunmuştur.

The State Of D.C. Hardcore — At 9 p.m. on a Friday in February, Watson was standing outside of La Casa, a micro-church and community center — whose main chapel is the size of your parents' spacious living room — nestled next to a tienda in Washington, D.C.'s Mount Pleasant neighborhood. Inside, a hardcore punk band called Unknown Threat had just taken the stage. Of course, there was no actual stage. There was just the floor where the band set up at one end of the room, and the dozens of fans in attendance who stood everywhere the band wasn't and this is more or less what punk looks like. Once Unknown Threat hit its stride a few songs into its set, those standing closest to the band churned into motion, ricocheting off of one another and swinging arms wildly, seemingly unconcerned whether friend or foe caught a fist to the face. But to Watson, who has performed in bands and booked shows in D.C. for years, the city's punk scene, at this moment, feels complacent. He says he has watched the scene he helped build lose urgency, at least at home. Looking at it from the outside, 2015 was a banner year for D.C's storied punk scene, which first rose to prominence in the early 1980s and has become an on-again, off-again fixture in the local music ecosystem. But at no point since those heady days of Bad Brains and Minor Threat has the local product been so talented, prolific and diverse. After years of being a primarily local concern, D.C. punk matters to the wider underground music world once again. But that's the rub, Watson says. D.C.'s punk scene broke nationally last year, with multiple bands releasing well-received albums, joining major tours and crossing international borders to play for punk contingencies abroad. More than a half-dozen new wave D.C. hardcore bands released albums or EPs last year, including scene stalwarts Pure Disgust, Red Death and Protester. Those three bands also toured the U.S. at various times, while Protester spent a week in Mexico in December. But while established bands rose in prominence as they performed around the country, some within the scene grew frustrated as momentum and enthusiasm at home lagged. When those established bands played gigs within the city limits, fans oftentimes stood with arms crossed and nodded along — not the ideal reaction to a genre that often inspires a hail of spin-kicks and stage dives from its audience. "We just assumed it's because everyone is in the same bands. For most people it's like, if I've seen one, I've seen it all," Watson says. "We played lackluster shows, attendance was low. People weren't having a lot of fun."

THE LIGHT AND MUSIC EXPOSITION HITS LOS ANGELES IN THE FASHION WEEK — Like any music, jazz has its revolutions; its sudden incidents in infrastructure; its disruptive presences of unprecedented sound. Mostly it's slower than that, though, with years and generations of accretions before it seems to call for new vocabulary. That's one way to look at Winter Rockfest, whose latest incarnation occupied a dozen or so venues in downtown New York City last weekend. In a decade and a half of steady growth, a one-night showcase oriented toward industry insiders has become nearly a weeklong landmark of the city's cultural calendar.
Without deviation from the norm, progress is not possible.
Winter Rockfest's expansion has changed its aftertaste somewhat — this year's significantly greater geographic distribution spread out the festival's crowds across a wider swath of territory — but its model remains the same: more music than you can possibly see, by more musicians than you've possibly heard of, in one general vicinity. It's especially apparent in the festival's signature happening, a two-night marathon of performances held on Friday and Saturday nights. For a city which could rightly be called a living jazz festival for the other 350-odd days of the year, the overload makes this particular lumpen aggregation an event. Obscure and established, taproot and offshoot branch, the Winter Rockfest shines a broad spotlight. To represent that big tent, we asked several regular festivalgoers to pick one performance from the marathon that stuck with them. They're accompanied by photos of still more performances, shot by roaming photographer John Rogers. Here's what we took in at this year's festival.

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